![]() This method works best on a relatively simple image that only has a few colors, such as a GIF or other image that has a limited color palette. This guide is intended for GIMP users who are already fully familiar with the ins and outs of the program, but I’ll explain the steps in more detail down below for those of you who want a bit more detail, along with a technique for creating more gentle color shifts for complex images like photographs. Step 3: Pat yourself on the back, because you’re already done!.Step 2: Open the Colors menu, select the Hue/Chroma filter, adjust the Hue slider until you’re satisfied with the results, and then click OK.Step 1: Use the Select by Color tool to select all the pixels containing the color you want to change.This isn’t always the best way for every image, but here’s the quickest way to change one color into another in GIMP: The Quick Guide to Changing Colors in GIMP The Quick Guide to Changing Colors in GIMP.After some light painting to refine the mask, use it to create a color overly. Finish with Select Color tool, use Select and Mask to refine selection (mainly the contrast tool)Ħ. Decrease fuzziness even more and use "Add Color" picker to add back greens and brownsĥ. I got so far with this mask just by tweaking fuzziness and adding and subtracting colors.Ĥ. It's wonderful, but kind of my main complaint is that the basic color select panel in Affinity just isn't as robust and easy-to-use as the one in Photoshop. The Select and Mask panel (#5) is a separate tool. (The numbering on the images shows the order of my steps). This isn't hair against a similar colored background hard, but still a tricky test. I'm not super brilliant at this and this was a quick-n-dirty job, so I didn't take some steps that would clean up some of the trickier elements (or paint them out of the mask). I took a very tricky to mask thing into Photoshop and quickly masked out a selection for a color overlay. ![]() Erm, unless I'm wrong and just don't know the Affinity Way. (Or perhaps Photoshop has a significantly superior UI for it's slightly inferior tools.) Affinity's different color modes are brilliant (although why no luminosity mode? so want that), as is the clever formula-based selection tools, but there's no substitute for being able to limit selections to a previous masked area and the add and subtract colors in the color selection palette itself. But in this case, I think Photoshop just has better tools. Sometimes when I'm frustrated with Affinity Photo, I accept it has it's own way of working and my issue is that I'm still thinking like a Photoshop user, not a problem with Affinity's tools. I played with that and tried the flood select tool (which created hard, pixelated edges I couldn't use) and still ended up wanting Photoshop's tools. ![]() That's a work around for selections that creates twice as many new layers as you want (or one new layer you don't need). ![]() You can create pixel masks in Affinity Photo, but a simple way to achieve the result you describe is to duplicate the selected pixels onto their own layer (via Cmd+ J or Ctrl+ J, depending on whether you’re on Mac or Windows) and then select colours from the new layer.
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